I/8 - mechanical tractionThe stops :- Principale 8- Ottava 4- Decima nona (1 1/3)- Quintadecima (2)- Vigesima sesta (2/3)- Vigesima nona (1/2)- Vigesima seconda (1')- Voce Umana (8)- Flauto in duodecimaTwo ‘faux bourdon’ stops (D & A, a kind of reed)The keyboard begins with Ottava corta (E gives C, F# gives D ...).The pedal is coupled to the manual (Ottava corta also..) from E (do) to C1.The organ tuning is meantone.
in a german baroque styleStudio 431Clavier II (56 notes Ut1-sol5)•Bourdon 8’•Prestant 4’*•Flûte à cheminé 4’*•[Quinte 2 2/3’*]•[Doublette 2’*]•[Quinte 1 1/3’ – 2 2/3’ (reprise au 1/8 de pied)*]•[Dulcian 8’]Clavier I (56 notes Ut1-sol5)•Montre8’•Prestant 4’*•Flûte à cheminé 4’*•[Quinte 2 2/3’*]•[Doublette 2’*]•[Plein jeux III rgs 1’1/3*]Pédale (30 notes Ut1-fa3)•Soubasse 16’•Flûte 8’Tirasses 8 et 4 pour les deux claviersVidéo
I/8 - mechanical tractionThe stops :- Principale 8- Ottava 4- Decima nona (1 1/3)- Quintadecima (2)- Vigesima sesta (2/3)- Vigesima nona (1/2)- Vigesima seconda (1')- Voce Umana (8)- Flauto in duodecimaTwo ‘faux bourdon’ stops (D & A, a kind of reed)The keyboard begins with Ottava corta (E gives C, F# gives D ...).The pedal is coupled to the manual (Ottava corta also..) from E (do) to C1.The organ tuning is meantone.
in a german baroque styleStudio 431Clavier II (56 notes Ut1-sol5)•Bourdon 8’•Prestant 4’*•Flûte à cheminé 4’*•[Quinte 2 2/3’*]•[Doublette 2’*]•[Quinte 1 1/3’ – 2 2/3’ (reprise au 1/8 de pied)*]•[Dulcian 8’]Clavier I (56 notes Ut1-sol5)•Montre8’•Prestant 4’*•Flûte à cheminé 4’*•[Quinte 2 2/3’*]•[Doublette 2’*]•[Plein jeux III rgs 1’1/3*]Pédale (30 notes Ut1-fa3)•Soubasse 16’•Flûte 8’Tirasses 8 et 4 pour les deux claviersVidéo