The organs of Paris
ORGANS OF PARIS 2.0 © 2018 Vincent Hildebrandt HOME A-C

Neuilly-sur-Seine

Eglise Réformée

18 Boulevard d'Inkermann, 92200 Neuilly-sur-Seine 1886 - Aristide Cavaillé-Coll

1910 - Charles Mutin

19xx - Beuchet-Debierre

II/8 - mechanical traction

Grand orgue (56 notes) Flûte a cheminée 8 Principal 8 Plein jeu III Récit (56 notes) Bourdon 8 Flûte 4 Principal 2 Sesquialtera 3r Pédale (30 notes) en tirasse GO/REC Accouplement REC GO Appel 16’ Photos of the organ: Gaspard de la Motte
The inauguration of the Temple was on June 2, 1867. After the War of 1870, the Temple reopened on November 11, 1872. In 1903, the Reformed Church of France became the owner and undertook a series of modernizations and expansions in 1907. To celebrate its centenary in 1967, the Temple was completely renovated.

Organiste titulaire

Jaques Sandoz

Concerts

Seldom

Services with organ

Sunday 10:30 a.m. Video
The organ was built by Cavaillé-Coll in 1886. In 1910, Mutin added a Voix Céleste. Afterwards, it was transformed by Beuchet-Debierre into a neo- classical style.
Organs of Paris

Neuilly-sur-Seine

Eglise Réformée

18 Boulevard d'Inkermann, 92200 Neuilly-sur-Seine 1886 - Aristide Cavaillé-Coll

1910 - Charles Mutin

19xx - Beuchet-Debierre

II/8 - mechanical traction

Grand orgue (56 notes) Flûte a cheminée 8 Principal 8 Plein jeu III Récit (56 notes) Bourdon 8 Flûte 4 Principal 2 Sesquialtera 3r Pédale (30 notes) en tirasse GO/REC Accouplement REC GO Appel 16’ Photos of the organ: Gaspard de la Motte
ORGANS OF PARIS 2.0 © Vincent Hildebrandt HOME A-C
The inauguration of the Temple was on June 2, 1867. After the War of 1870, the Temple reopened on November 11, 1872. In 1903, the Reformed Church of France became the owner and undertook a series of modernizations and expansions in 1907. To celebrate its centenary in 1967, the Temple was completely renovated.

Organiste titulaire

Jaques Sandoz

Concerts

Seldom

Services with organ

Sunday 10:30 a.m. Video
The organ was built by Cavaillé-Coll in 1886. In 1910, Mutin added a Voix Céleste. Afterwards, it was transformed by Beuchet-Debierre into a neo-classical style.